week eleven: pantyhose...

My fascination with the association between women's hosiery, specifically tights, and stretch generics has finally been resolved. It was through the study of their construction and behavior that the dispersion of their original form occurred. I wanted to focus on that continuos observation I have made on the comparison of the reaction of a particular garment on the body, to it in its natural state. The impression of a reduced, almost shrunk item has been trapped in my head as the characterization of stretch and its performance.

Inspired by the application of geometric shapes to the body, introduced to us during the generic investigation, I chose to continue with the experimentation of drape in circular shapes. I was drawn to the unpredictability and natural manner of them once assembled around a specific shape. Following my theme and focus of the female silhouette, my intention was to highlight upper body features by creating a cropped singlet that created the allusion of a collar and/or sleeves. After experimenting with basic shapes on the stand it was apparent that I was 'building' and emphasizing the likely form.

As the sheer, 15 denier nylon construction of the tights that I purchased was so delicate I was challenged to think of original construction methods that nullified any obstructions. The use of the flat lock machine was in order, forming that relationship between my previous works. Through the use of contrasting black thread the details of seam construction is conspicuous, stressing every ripple and plunge within the fabric.

The intended function of the 'control' region of the tights opening presented a subtle contrast in fabrication. These differences are evident within the tone, as well as fabric thickness, therefore providing an alternative response in the larger performance of the garment. This contrast must also be considered in terms of aesthetic application, and the way it can affect or influence the general expression of the piece. With the help of relevant research I rejected the tradition to cover delicate areas of the body with opaques, and reversed notions of acceptably exposed skin.

(above image http://en.wikipedia.org/wiki/File:Pile_of_pantyhose.jpg , viewed 30/5/10)