week two: the singlet....

Deriving from the t-shirt shape a singlet can be worn both alone and under the clothes. Originally used as a form of underwear, requiring it to sit close to the body, replicating its silhouette.

This week I found the unfamiliar process of fitting the material to the mannequins an entirely alien concept. A mannequins 3d form is a realistic and accurate representation of the human bodies shape, allowing us to mould the fabric to its shell. This unique process ensured that we produced a basic singlet shape that was specific to our personal needs or liking. Relying heavily on sight to draw in the shape of the straps and necklines created a sense of freedom, opening up paths to design resolutions. Thought my singlet needed no adjustments in relation to fit, I felt that the line I chose for the straps did not translate on the body and may need modifying in order achieve the most flattering outcome for the wearer. Whilst witnessing my work on a human model it became apparent how the singlet highlights the female hourglass frame, disclosing a hint of subtle suggestiveness from the most understated item of clothing.

Like a second skin, the elastic cotton of a singlet hugs the body’s form, no matter the shape or size, free flowing every kind of movement, no matter how strenuous or extreme. Often it is the last layer of privacy, offering a tantalizing glimpse of naked flesh. Stretch fabric is a thin and subtle fabric that clings to the tiniest undulations of the bodyand leaves very little to the imagination. Through a singlet you can detect the curves of the bust and abdominal muscles. It reveals the line of a shoulder blade, the dip in the collarbone and smooth contours of the hips.

In completion of the 'cut and paste' exercise I wanted to explore that process of stretching/fitting the fabric in a new way. My aim was not to over design, with complex construction, but to execute and explore to a high standard. With the fabric we selected in class I wanted to emphasis tension across the arms in the form of the added straps that hang from the side seams. To do so I eliminated shoulder seams to minimize bulk and create smooth base for the twisted and pulled fabric. The porous net fabric stressed with force in areas under pressure, this created varied depth visible from the slight differences in pink tones. The intensity that was created by simply straining the fabric over the shape of the strap and stay stitching, embodies a sophisticated intention of 'stretch' within the design. Not only does it draw in through its design detail, but is efficient in its function, providing a wide range of methods to be exhibited.